封闭庭院下的城市记忆碎片

精华1mcnocvnyq 2018-08-03

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封闭庭院：希腊埃莱夫西纳行政大楼设计方案

Hortus conclusus: proposal for administration building encloses garden sanctuary in Elefsina, Greece

封闭庭院下的城市记忆碎片

建筑师Leonidas Papalamprooulos和Georgiasyriopoulou在对希腊埃莱夫西纳新行政大楼进行构思时，采用了封闭的庭院空间形态。该项目重新设计了现有的植被，从而定义内部景观，人们可以在这里休息与冥想，这里是城市空间的一片净土，该项目为市民提供了全新的社交空间，从而强调了当地特征。

Leonidas Papalampropoulos and Georgia Syriopoulou adopt the typology of an enclosed garden, hortus conclusus, in their proposal for a new administration building in the city of Elefsina, Greece. The project reformulates the topology of the existing vegetation in order to define an internal landscape, which acts as a sanctuary for rest, meditation and memory amidst undefined boundaries, vague spaces and fragmented public spaces in the junction of the city with the industrial area. A new social space is offered to the citizens within the building for the reinforcement of local identity.

封闭庭院下的城市记忆碎片

花园入口内景／Interior view of the entrance to the garden

建筑场地暗喻着天堂，而场地与周围草地也具有象征性的联系，据说在那里，冥界之王Hades绑架了农业女神Demeter的女儿Persephone。建筑师Papalampropoulos和Syriopoulou的设计方案主要集中于三个要素，即保留空间品质和场地固有氛围、创造全新的“城市基础设施”来重新组合分散的城市公共空间，以及以围闭的姿态表达希腊埃莱夫西纳的历史记忆，同时也表达了空间的过渡，并且与各种城市元素进行尺度对比，以此表达与城市记忆碎片的共存。

Acting as a spatial metaphor of paradise, the preservation of the site’s topography creates a symbolic connection with the mythology of the surrounding meadow, where it is said that Hades, the god of the underworld, kidnapped Persephone, the daughter of agriculture goddess Demeter. Papalampropoulos and Syriopoulou‘s proposal focuses on three main axes: the preservation of the spatial qualities and inherent atmosphere of the place; the creation of a new ‘urban artifact’ with which to reassemble the dispersed public space of the city; and, the expression of the historic memory of Elefsina through the gesture of enclosure, signifying spatially the symbolic transition into the space of ‘the other’, and the contrasting scales of various urban elements as an outcome of the coexisting fragments from the city’s past.

封闭庭院下的城市记忆碎片

展览空间和咖啡厅／The exhibition space and the cafe

封闭庭院呈围合的姿态，建筑如同城市尺度内的地标，具有强大的视觉特征。同时，外表皮设计和功能分配满足了周边社区的人们需求，透过主立面的围合空间形态，人们可以看到建筑内部的空间效果。人们通过外部坡道进入花园，花园亦可独立，亦可与办公空间结合使用，用作参观者和员工的交流场所。为了强调行政大楼的主入口，建筑体量向内凹，建筑师通过绿色的景观来表达欢迎感，人们从这里的通道可以去往办公空间、公共空间（礼堂、展览、咖啡馆）和花园。

The gesture of enclosure in hortus conclusus shapes the building as a landmark within the urban scale with a robust visual identity. At the same time, the manipulation of the skin and the allocation of functions address the scale of the adjacent neighborhood and the pedestrian experience, with facades that act as semi-transparent filters and allow views of the micro-scale inside the building. Two ramps on the external sides of the building cut through its mass and allow for public access to the garden, which can function both independently and in conjunction with the office spaces, thus becoming a meeting space for the visitors and the employees alike. The main entrance to the administration building is signified as a recession of the mass that welcomes the visitor with a view of the green surroundings, providing access to the office spaces, the public functions (auditorium, exhibitions, café) and the garden itself.

封闭庭院下的城市记忆碎片