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A SURVEY OF THE ART A T R I B E O F S O U L P A I N T E R S A R T A N MA XIAOLI A R T I S T R E S U M E 马小莉 ｜MA XIAOLI Born in Luoyang, Henan Province University teacher Now lives and works in Luoyang A R T I S T S T U D I O Draw interior scene ◎ Everyone has a heart of their own homesick or longing to remember the landscape space, to abandon its appearance, the surrounding environmental factors, people feel inside one of the vague you face after wiping out the true appearance of the state of things, and Ma Xiaoli's The Koyama series of works is providing viewers looking at our individual position and direction from the side. - Hui Shuwen 每个人心中都有一处自己难以释怀或憧憬留念的山水空间，摒弃其相貌、周遭环境因素外，人置身其中的感受隐约是你拭去表面外物后真实呈现出来的的心境状态，而马小莉的空山系列作品正提供了观者从侧方位寻究我们个体在其中的位置和方向。 ——惠书文 ◎ Empty mountain series Composite materials ◎ Empty mountain series 1 空山系列1 2017 20 x 30 cm Signature: Ma Xiaoli Composite materials 综合材料 Empty mountain series 2 空山系列2 2017 20 x 30 cm Signature: Ma Xiaoli Composite materials 综合材料 Empty mountain series 3 空山系列3 2017 30 x 40 cm Signature: Ma Xiaoli Composite materials 综合材料 Empty mountain series 4 空山系列4 2017 30 x 40 cm Signature: Ma Xiaoli Composite materials 综合材料 Empty mountain series 5 空山系列5 2017 20 x 30 cm Signature: Ma Xiaoli Composite materials 综合材料 Empty mountain series 6 空山系列6 2017 20 x 30 cm Signature: Ma Xiaoli Composite materials 综合材料 Empty mountain series 7 空山系列7 2017 20 x 30 cm Signature: Ma Xiaoli Composite materials 综合材料
Empty mountain series 8 空山系列8 2017 20 x 30 cm Signature: Ma Xiaoli Composite materials 综合材料
Empty mountain series 9 空山系列9 2017 20 x 30 cm Signature: Ma Xiaoli Composite materials 综合材料
Empty mountain series 10 空山系列10 2017 20 x 30 cm Signature: Ma Xiaoli Composite materials 综合材料
Empty mountain series 11 空山系列11 2017 20 x 30 cm Signature: Ma Xiaoli Composite materials 综合材料
Empty mountain series 12 空山系列12 2017 20 x 30 cm Signature: Ma Xiaoli Composite materials 综合材料
Empty mountain series 13 空山系列13 2017 20 x 30 cm Signature: Ma Xiaoli Composite materials 综合材料
Empty mountain series 14 空山系列14 2017 20 x 30 cm Signature: Ma Xiaoli Composite materials 综合材料
Empty mountain series 15 空山系列15 2017 20 x 30 cm Signature: Ma Xiaoli Composite materials 综合材料 A R T I S T E V E R D A Y
Artistic creation Often want to mention pen to write something, but often think of it even if the forget it, so most of them are put aside, may think the language is still pale, when free or cranky, or a very quiet picture of yourself, though Those paintings are not quiet, this is what I have been living in recent years. I think I am an active person, and I often look at myself, ask myself, look at myself far, see my own work, those lines of color imply what? What energy did their existence produce in their association and self-awareness? I slowly awakened in painting . 2017 is an extraordinary year. Following the "Flower of Life", the Koyama series is a new direction I have been creating this year. During this period, I drew lots of works due to its ability to record my ideas more timely and different In the face of unavoidable deaths and deaths, I think of an empty word. I hope the complex emotions I once had were "quiet but empty" and "Zen," meaning "color is empty, empty is color" Artistic creation allows itself to have the spirit of independent thinking, the works appear to have hidden their own existence, but those powerful lines and colors is the external spirit of the individual, which is never to be avoided, the screen shows you have "more powerful "In reality, you have" more fragile ". When you look at yourself and know who you are brave enough to face, you really grow up and you can really give it new content and meaning with a brush. I love infatuation in the emotional expression of color, every line seems like every one of their own cells in the dynamic, non-stop artistic creation is an important form of settling life, looking for the best of myself, and I love the people To be able to live better happy together. "Art comes from life," then art should give back to life with what? Gu Cheng I like the phrase "the night gave me black eyes, but I use it to find light" . -- Ma Xiaoli ◎ 艺 术 家 自 述 ◎ 也经常想提笔写点什么，但往往转念一想就算了，所以大多都搁置作罢，可能自己认为语言仍然显的苍白吧，有空的时候要么胡思乱想要么一个人很清静的自己画画，尽管那些画显得并不安静，这就是我近几年的生活状态。 我想我是个思维活跃的人，我经常反观自己、质问自己，远远的看自己、看自己的作品，那些色彩那些线条暗示了什么？它们的存在在其关联性和自我意识的交融中产生了什么样的能量，我在绘画中慢慢觉醒…… 2017年是不同寻常的一年，继“生命之花”之后，空山系列是我今年一直在创作的一个新方向，期间我画了很多小作品，因为它能够更加及时的记录我的想法，不同的成长经历，在难以避免的生老病死面前，让我想到一个“空”字，我希望我曾经的复杂情绪有着“空山不见人”的幽静避世，又有“色即是空，空即是色”所蕴含的禅意，艺术创作让自己具备了独立思考的精神，作品看似隐化了自己的存在，但那些有力的线条与色彩就是个体内在精神的外化，这是永远回避不了的，画面显现你有“多强大”现实中的你就有“多脆弱”，当正视自己时，知道自己是谁勇于面对的时候，自己才真正的成长起来了，才能以画笔真正赋予它新的内容与意义。 我痴情于色彩的情感表达上，每一笔每一个线条仿佛都像是自己的细胞在跃动，不停的艺术创作就是我安顿生命的重要形式，寻找最好的自己，和我爱的人能够更好的幸福的生活在一起。 “艺术来源于生活”，那么艺术创作应该回馈生活以什么？我喜欢顾城的那句“黑夜给了我黑色的眼睛，我却用它寻找光明”…… ——马小莉
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