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东汉《乙瑛碑》隶书选字帖欣赏。米字格里的隶书《乙瑛碑》，学隶书的看，真漂亮！ ··················································································································· 《乙瑛碑》书风颇严谨，富素朴之趣，是汉隶成熟时期的典型作品，也是后人学习隶书最佳范本之一。
··················································································································· 《乙瑛碑》艺术特点：《乙瑛碑》，全称《汉鲁相乙瑛请置孔庙百石卒史碑》，又名《孔庙置守庙百石孔龢碑》，东汉永兴元年(公元153年)刻，原石现存山东曲阜孔庙。与《礼器》、《史晨》并称'孔庙三碑'，历为书家所重。 ···················································································································
清杨守敬评:'是碑隶法实佳，翁覃溪(翁方纲)云:'骨肉匀适，情文流畅。'诚非溢美，但其波磔已开唐人庸俗一路。'这正讲出了该碑的微妙处。临写此碑要特别注意波画的'逆入平出'，尤其是起笔处的逆势不能形迹外露。如'蚕头'的逆势形迹向上作侧锋外露，就流于了唐隶'蚕头'起笔侧露的庸俗风气。 ···················································································································
《乙瑛碑》是汉隶中有数的逸品，字势开展，古朴浑厚，俯仰有致，向背分明。特别是后半段，采取笔杆倒向左侧的逆向行笔，使每一点画入木三分，扣的很紧，尤为高妙。《乙瑛碑》的结字看似规正，实则巧丽，字势向左右拓展。书风谨严素朴，为学汉隶的范本之一。----《古代碑帖鉴赏》费声骞。 ···················································································································
隶书的结构特点(字范选自《乙瑛碑》) ··················································································································· (一)字形扁阔左舒右展 隶书注重横向取势和绞转用笔，既雄阔严整，又舒展灵动。
(二)横平竖直笔画匀称 隶书注重横平竖直，笔画匀称。创作时要灵活处理正斜、粗细的变化。
(三)内紧外松自然茂密 隶书常常突出字中的主笔，甚至作些夸张性的变长
临写此碑要特别注意波画的'逆入平出'，尤其是起笔处的逆势不能形迹外露。如'蚕头'的逆势形迹向上作侧锋外露，就流于了唐隶'蚕头'起笔侧露的庸俗风气。 |
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