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最近看到又有不少新的自媒体出现，有些还是原来的媒体人，当然在他们那个年代里还没有图片版权一说，自己也从来没有图片的积累，于是做自媒体时就到网上扒，反正下面只要一注：图片来自网络就可以了。比较恶心的是把原作下面的水印裁掉，这样原来的出处就没了，其实这都是欲盖弥彰，因为你只要看到一张图片构图不完整，显然就是有问题了。确实如今是读图时代，你要解释和描述一件事，没有图片的支持肯定逊色不少，既然你已经扒过来了，那拜托留下原来的出处总可以吧？ 此文权当有感而发。相关内容可以点击阅读：#老寿眼中的上海#数码相机拍摄一张照片的成本到底有多少？
现在拍摄的工具越来越多，我们常常可以看到“随手拍”为开头语的帖子，也许这就是显示老法师随手一撩就是出片的能力，惭愧的是我到现在还没掌握。 我还是傻乎乎的按照原来拍摄的路子在走，所以九宫格都常常填不满。 下面给大家分享最近拍的几张照片，这就是通过两三次才完成后才敢晒出来的照片。
有时候手机记录是做一个备忘录 
虽然拎着单反去拍，但下午的光线明显不对了。
每次走过襄阳南路上这家蛋挞店铺都觉得这家店面和这个环境很搭，有时会用手机拍一张，觉得画面感不错，但是手机的画面质感肯定不符合我需要留存的要求，于是又会带着单反走一遍，无奈后续的几天天气都不够理想，所以拍了自己都没法看。 那天去买牛奶，顺手带着单反出门，走到襄阳南路邮局看到一群穿着小红衣的小朋友正在老师的指导下投寄信件，拎起相机已经来不及了，当然对面人行道上自行车也太煞风景。 于是还是走到这家蛋挞店对面开始拍摄，当然不希望仅仅是一个干巴巴的店铺画面，毕竟我不是为它在做宣传片。
空白的画面肯定有点干巴巴 
在等待有合适的人可以填补到画面中时拍了好几张，都觉得不合适，这时余光闪到那群孩子在老师的带领下已经走到这里来了，于是赶紧举起相机开始等待，当他们进入画面后开始连续拍摄，除去那些有车流误入画面的，选出了这张，整个画面的色彩都相当舒服。
这又是另外一张，这是最近一直在梧桐区搜寻上海秋冬季节的画面，当然对着树冠拍摄一堆叶子肯定不是我的初衷，你必须要有上海街道的特色，而且还要交代出是哪个区域，这才符合城市影像记录的要求。
那天下午走到复兴西路，看到对面37弄这个位置相当不错，弄堂口那个红枫映衬在弄堂的白墙红瓦，画面感十足，遗憾的是阴天，这肯定也不会是我满意的画面。 恰逢第二天出太阳了，因为担心后面几天的天气状态不佳，于是继续回到复兴西路37弄拍摄，到了位置发现太阳光还没有到合适的位置，它并没有把所有的红枫叶照到，于是只能顺着复兴西路走了一圈，回来后继续等待。
这时候还到弄堂里面转了一圈，发现里面拍摄的效果并不理想，还是继续出来等待吧。
文件夹里除了删掉的还有不少，都是这四十几分钟里拍摄的画面。
结果从上午九点一刻左右开始一直等到十点钟，连续拍摄和等待合适的行人来填充画面，直到这条弄堂的太阳光快要被淮海中路上高层建筑挡住，才结束了拍摄。
在此期间有过不同画面的尝试，由于是背光拍摄，躲避不了的晕光，画面还是稍有欠缺，但是总体的意思到位了。 所以我每一次的拍摄都会比较投入，那些喜欢随意是用别人照片的请手下留情，我不会随手一拍，你也不要随手一用。Strive to Avoid the Habit of Candidly Snapping.With the proliferation of photographic tools available today, we often encounter posts beginning with the phrase "candid shots," perhaps as a testament to the seasoned photographer's effortless ability to capture stunning images. Regrettably, I have yet to master this skill.I find myself naively adhering to my original photographic approach, often struggling to fill the nine-grid layout. Below, I share a few recent photographs, which I felt confident enough to showcase only after completing them over two or three sessions.Each time I pass the egg tart shop on South Xiangyang Road, I am struck by how well its facade harmonizes with the surrounding environment. Occasionally, I'll snap a quick shot with my phone, appreciating the composition, but alas, the quality is not up to my preservation standards. Thus, I decided to take my DSLR for a dedicated visit. Unfortunately, the subsequent weather proved far from ideal, resulting in images I could scarcely bear to view.On one occasion, while out to purchase milk, I thought to bring my DSLR along. Upon reaching the post office on South Xiangyang Road, I observed a group of young children clad in red uniforms, diligently sending letters under the guidance of their teacher. Yet, despite my eagerness to capture the moment, I was simply too late, and the unsightly bicycles cluttering the opposite sidewalk did little to enhance the scene.Consequently, I continued to the egg tart shop across the street to commence my photography. However, I was keen to ensure that my images transcended the mere depiction of a mundane storefront, as my intention was not to create promotional material for the establishment.While awaiting the arrival of suitable subjects to enrich my composition, I took several shots that ultimately felt unsatisfactory. Just then, I caught sight of a group of children, led by their teacher, making their way towards me. I quickly lifted my camera and prepared to capture the moment as they entered the frame, resulting in a series of photographs from which I selected this particular image, notable for its harmonious color palette, aside from some shots marred by stray vehicles.This next image is part of my ongoing exploration of autumn and winter scenes in the Wutong District of Shanghai. Of course, simply photographing a canopy filled with leaves was not my intention; I aimed to highlight the distinctive character of Shanghai's streets while conveying the essence of the area, aligning with the aims of urban imagery documentation.One afternoon, I wandered to Fuxing West Road and spotted an appealing vantage point at Lane 37, where the vibrant red maple framed against the white walls and red tiles of the alley created a striking visual. Regrettably, the overcast sky detracted from the picture's overall allure, leaving me dissatisfied.Fortuitously, the following day dawned bright and sunny. Concerned about unfavorable weather predicted for the subsequent days, I decided to return to Fuxing West Road, specifically Lane 37. Upon arrival, however, I discovered that the sunlight had yet to cast its brilliance in the right direction, failing to illuminate all the maple leaves. Thus, I strolled along Fuxing West Road, circling back to wait for the ideal light.During this time, I ventured inside the alley but found the lighting conditions unsatisfactory for what I sought. I soon returned to my spot outside to continue my vigil.From approximately 9:15 AM until around 10:00 AM, I patiently awaited suitable pedestrians to fill my frame, capturing their movements until the sunlight began to wane, threatened by the towering buildings along Huaihai Middle Road. 
Throughout this period, I experimented with various compositions; the backlighting resulted in unavoidable lens flare, leaving the images somewhat lacking. Nevertheless, the overall intent of the photographs was achieved.Thus, I approach each of my photographic endeavors with considerable dedication. For those who prefer to casually appropriate others' images, I kindly urge restraint. I do not indiscriminately capture, and I respectfully ask that you do not indiscriminately utilize.
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